![]() ![]() ![]() In the music nomenclature, middle C is denoted C4). There shouldn't be a need to transpose unless you want to change the key.It's like a highway engineer who decides to call the first exit - 0th exitand the second exit - 1st exit.You and I know that the 0th is really the first exit and the 1st exit is really the second.Now I'm confused.Don't get me wrong. (This note, which often denoted C3, is one octave below the so-called middle C. The latter is the most obvious, I think, in addition it would be great if you could choose between a Naming Format like MIDI, MIDI Note Number or both, as you can in Nuendo preferences. Ignore it.Your sheet music should print out at the correct staff location and your playback should be at the right pitch. Steinberg has to use C4 on all products, or, Dorico should have a preference to choose between middle C (MIDI Note Number 60) as C3 or C4. ![]() Remember too, that many of these people had no Music training and they approached it scientifically - Which confuses everything if you know how it has traditionally worked.In the end C5 in MC and other MIDI programs is Middle C - C4 - The pitch is correct and it appears correctly in staff view.The designation C5 is not only confusing, it is simply a label. Of course one of their C's on the way up 'had' to be designated C0 - and while Beethoven just rolled over one more time, that's what diehard computer people do. Started from the first C in their scale, which was I guess two octives lower than the C1 on a piano. ![]()
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